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indem man die Figur mit mehreren Armen – bis zu tausend – und auch mehreren Köpfen darstellt
which set the tone in the 19th century
who was three years younger than Yoshimura
it doesn't matter – one likes spring as much as autumn
a priest of the Kamo Shrine in Kyoto
Reiher unter Lotos-Blatt | Kanō Furunobu (Eisen) attr. 狩野栄川 | 1694-1731 Pflaumenbaum indem man die Figur mitThis painting is unsigned, but the box it came in bore an inscription stating that the painter was Kan Furunobu. Therefore, the object is treated only as "attributed." Stylistically, it is certainly a painting from the Kan school of the 17th 18th century, and its quality makes it quite conceivable that it was indeed by the son of the famous Kan Takanobu. The motif is associated with the Zen world; Zen priests often used it in their paintings. The
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