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Take three is a song sang in falsetto while playing the Bosendorfer Imperial in an arpeggiated style that predates the “strummings”
Such is the multitude of resonances evoked in the pages below: a multitude of occurrences
Professor (LSGMA) and curator (CAMPO
Afterword by Baptiste Pinteaux
Évidences
Bruges-la-morte - Georges Rodenbach theory Take three is a songA widower, Hugues Viane, takes refuge in the decay of Bruges, living among the relics of his dead wife as he transforms his home and the very city he inhabits into her spatial embalmment. Spinning out his existence in a mournful, silent labyrinth of entombed streets and the cold arteries of canals, Viane takes comfort in his narcissistic delirium, living both for and within his deceased love, until his world is shaken when he meets his wifes
